Tony Blackburn, David ‘Diddy’ Hamilton, Alan ‘Fluff’ Freeman, Dave Lee Travis, Noel Edmonds and Jimmy Saville (who moved to television with Jim’ll Fix It in 1975). Noel Edmonds joined Keith Chegwin, John Craven and Maggie Philbin in Multi Coloured Swap Shop.
A key figure at Radio Luxembourg, he moved to Radio 1 in 1974, presenting a Sunday morning show and hosting the Top 20 chart programme. He and fellow DJ Dave Lee Travis released a parody cover version of U.S. hit Convoy.
Fired from Radio 1 in the Eighties, he went to work for Capital Gold.
Long-running Radio Luxembourg DJ with a passion for classic rock and soul music. Presented a popular Sunday show. Left the station in 1975 and joined Radio Victory in Portsmouth. Went on to do stints on radio in the Faroe Islands, Hong Kong and Ireland before returning to work in Luxembourg for Sunshine Radio and Radio Television Luxembourg. Retired from radio in 2007.
One of the great innovators. Kenny Everett (real name Maurice Cole) helped to establish the double-DJ show with Dave Cash on pirate station Radio London (‘Big L’). There Everett developed the production techniques and tape tomfoolery that he used throughout his career.
The timid Liverpudlian became electrifying behind the microphone and was envied for his genius as a tape editor, and for his assortment of Goon Show-inspired voices and characters.
Everett also proved vital in establishing Big L’s friendly relationship with The Beatles, travelling with them on their 1966 US tour.
Renowned for his risque remarks and unpredictable behaviour, Everett found himself suddenly out of a job in 1970, after moving to the BBC.
There was considerable fudging over the reasons for his on-air dismissal from Radio One.
The BBC maintained that it was not Everett’s on-air remarks about the transport minister’s wife (he claimed she had passed her driving test only because she had crammed a fiver into her examiner’s hand), but the fact that he had broken his promise not to “speak to the press on controversial broadcasting matters” which got him the boot.
The sacking did Kenny no harm as he moved to television, where The Kenny Everett Explosion was the first in a long line of snappily-titled shows over the years, including The Kenny Everett Video Show, The Kenny Everett Video Cassette, The Kenny Everett Television Show and a programme called Simply Ev, the name by which friends and colleagues knew him.
Everett was a married man who later came out and who had wanted to be a priest before turning to television as a career.
ALAN ‘FLUFF’ FREEMAN
Born in Melbourne, Australia, Freeman landed himself a job as summer relief disc jockey on Radio Luxembourg. He made enough of an impression to get himself recruited to the BBC Light Programme as presenter of the Records Around Five show in 1960, where he first introduced his familiar signature tune, At the Sign of the Swinging Cymbal.
In 1961, Freeman took over Pick of the Pops from David Jacobs, and successfully managed to relegate the musical content to second place with his ebullient presenting manner.
He also established himself as a regular fixture on TV’s Top of the Pops, having been appointed as one of the original four presenters in 1964. He appeared on film in Julien Temple’s Absolute Beginners (1986), in Dr Terror’s House Of Horrors (1965), and as a DJ in the 1968 Dirk Bogarde vehicle, Sebastian (1968).
Freeman died on 27 November 2006.
‘DIDDY’ DAVID HAMILTON
Nicknamed ‘Kid’ because he was just 18 when he started broadcasting at Radio Luxembourg. Went on to present a Saturday morning show on Radio 1. Guest-hosted Top of the Pops, before going to work for US broadcaster CNN. Returned to the UK in the Eighties and worked for Capital Radio.
See John Peel here.
Known to listeners as Tony ‘Your Royal Ruler’ Prince, he went on to become programme director of Radio Luxembourg. Unlike many of his contemporaries, he missed out on a gig at Radio 1. Instead, he launched dance magazine Mixmag, which was later sold to Emap for £9 million.
Known for his lustrous hair and cheesy voice, his career soared after leaving Radio Luxembourg. Snapped up by Radio 1 where he hosted the breakfast show. Famously banned Frankie Goes To Hollywood‘s song Relax from his show in 1984 because he felt the lyrics were obscene. Also hosted Top of the Pops and Saturday Superstore on television. His play Oscar Wilde: The Musical was panned by critics and closed in the West End after one night in 2004.
He was famed for his pacy banter, outlandish dress sense and quirky sense of humour, and described himself as “the Emperor, the geeter with the heater, your leader, your groovy host from the West coast, here to clear up your skin and mess up your mind. It’ll make you feel good all over.”
His over-the-top style once prompted a newsreader to announce “Now here is the news – in English”.
Returned to the US in the 1970s before returning to Europe and Radio 1 in 1982. Also worked for Capital Gold and Virgin.
DAVE LEE TRAVIS
Walker began his radio career on Swinging Radio England in 1966.
Made many of Radio Luxembourg‘s jingles and stayed with the station as a presenter for ten years. Left in 1981 and went on to work on local radio and Capital Gold before moving into television and radio production.
A one-time bank clerk, Terry Wogan joined the BBC in the 1960s and was one of Radio 1‘s original team of presenters in 1967. His Radio 2 breakfast show in the 1970s and early 1980s gained him a cult following and established his distinctively witty, self-effacing presentational style.
Items like “Fighting the Flab” and “Wogan’s Winner” characterised the show, and his constant digs at Dallas ensured that the soap became a hit in the UK.
His TV career took off in 1979 when he began five years at the helm of Blankety Blank, and in 1980 he turned his hand to chat shows with What’s On Wogan?, a live Saturday tea-time programme.
Two years later the show metamorphosed into Wogan and was transmitted late on Saturday nights, before being promoted in 1985 to being a thrice-weekly early evening live event. Terry quickly became the television personality of the 1980s and was seldom off British screens.