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Public Enemy

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Replacing Run DMC‘s proto-bling with Afrocentric articulateness, Nation of Islam references, and anti-racist ire, Long Island’s hip-hop revolutionaries Public Enemy turned rap from a novelty to “CNN for black people”.

publicenemyPublic Enemy didn’t just report on their environment, they explained it . . . then they petitioned the disaffected to rise up and change it.

Their forceful articulation of the black experience was intensified by crack production team The Bomb Squad’s obdurate sonic scapes built around samples of James Brown, Funkadelic, Big Audio Dynamite, Slayer, Bowie and The Bar-Kays.

1988’s It Takes A Nation Of Millions To Hold Us Back album made them hip-hop heroes, and their paramilitary trappings tantalised rock fans, but world domination seemed beyond their grasp.

That changed when Spike Lee instructed them to write an anthem for his movie Do The Right Thing  (1989).

Flavor Flav’s ludicrous interjections provided a pressure valve. Rap would be forever changed.

After a 1994 motorcycle accident shattered his left leg and kept him in the hospital for a full month, Terminator X relocated to his 15-acre farm in Vance County, North Carolina. By 1998, he was ready to retire from the group and focus full-time on raising African black ostriches on his farm.

Though still active today, their influence faded in the 1990s with their brand of polemic suffering commercially as gangsta nihilism took hold. But their substantial catalogue is studded with songs such as Don’t Believe The HypeFight The Power and Welcome To The Terrordome that remain vitally important parts of hip hop history.

Chuck D (Carlton D. Ridenhour)
Flavor Flav (William Drayton)
Terminator X (Norman Rogers)
Professor Griff (Richard Griffin)

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