The Barracudas
Despite a cheerfully self-deprecating stance, London's Barracudas
offered quite an enjoyable sentimental journey through assorted
American traditions on Drop Out. Some tunes plunged headlong
into dense, ringing folk-rock - see Violent Times or I Saw
My Death in a Dream Last Night for an update of The Byrds on a
gloomy day.
Surf tunes like Summer Fun and His Last Summer
tried a little too hard for laughs to overcome fundamental flimsiness,
but were fun and couldn't be faulted on attitude.
After abandoning a second album (four tracks from which were
salvaged and released as House of Kicks) and losing drummer
Nick Turner to the nascent Lords of the New Church, singer Jeremy
Gluck and guitarist Robin Wills assembled a new Barracudas and
recorded the wonderful Mean Time, produced by Pete Gage
(ex-Vinegar Joe), who also added evocative keyboards to the LP.
Reclaiming more than half of the unreleased album's songs, The
Barracudas here sounded like a younger Flamin'
Groovies. (In fact,
this five-piece line-up - easily The Barracudas' best - featured ex-Groovie
guitarist Chris Wilson.) An effortless and catchy '60sish blend of
punky pop, vintage Rock & Roll, mock Merseybeat, snarly mild
psychedelia and Byrdsy 12-string folk-rock.
The 1983 live LP, packaged and recorded so amateurishly as to
resemble a bootleg, had a few original songs from the two preceding
albums but mostly consisted of covers like Seven and Seven Is, You're
Gonna Miss Me and Fortunate Son. The performances rocked
out enthusiastically, but the miserable sound quality was an
insurmountable obstacle to enjoyment.
After making a third album, Endeavour to Persevere, The
Barracudas disbanded at the end of 1984. While assorted European
labels issued compilations (I Wish It Could Be 1965 Again),
outtake collections (The Big Gap) and archival concert albums (Live
in Madrid, a terrible 1984 show with better sound than the French
live LP), Gluck made a musically unrelated solo LP in collaboration
with Nikki Sudden and Epic Soundtracks (both ex-Swell Maps), Rowland
S. Howard (Birthday Party) and Gun Club leader Jeffrey Lee Pierce (on
guitar).
Various permutations of that gang played Gluck/Sudden compositions
in simple recordings that had a nice, casual feel. Stylistic variety -
from acoustic guitars (Gone Free, the nicest tune here) to
near-noise (the last portion of the epic All My Secrets) - kept
Buffalo Bill interesting, but Gluck's artless voice didn't
really suit the material. The same crew later reassembled to cut an
EP, Burning Skulls Rise.
For his part, Wills made a pair of albums with a group called The
Fortunate Sons (originally a trio, but later a quartet with Chris
Wilson), whose bassist wound up in The Barracudas when Wills and Gluck
decided to restart the band in early 1989. The first order of business
was to polish up the tapes of the lost second album from 1982.
House of Kicks' belated release as Garbage Dump
wasn't exactly the Rosetta Stone of 80s music, but it was a potent
dose of solid garage rock, albeit without the same tuneful charm as Mean
Time (with which it shared eight songs). Overall, the biggest
failings were the vocals, which were hoarsely unattractive and rather
weak in the harmony department, and the unimaginative, overly
nostalgic production style. The World's A Burn was a six-track
compilation of singles.
| The
Band |
Jeremy Gluck
Vocals
Robin Wills
Guitar, vocals
David Buckley
Bass, vocals |
Nick Turner
Drums, vocals
Chris Wilson
Guitar, vocals
Jim Dickson
Bass |
Graham Potter
Drums
Terry Smith
Drums
Mark Sheppard
Drums
|
Steve Robinson
Bass
Rick Sigmund
Drums
Jay Posner
Drums |
|
|
