Home Television Drama Armchair Theatre/Armchair Cinema

Armchair Theatre/Armchair Cinema

1 9 5 6 – 1 9 7 3(UK)
1 9 7 4 – 1 9 7 5 (UK)1072289
457 x 60 minute plays

Armchair Theatre was a long-running series of single episode self-contained plays and programmes which gained a reputation for gritty down-to-earth ‘kitchen sink’ dramas’.

For many years, Armchair Theatre was an essential part of Sunday night viewing in Britain.

Several spin-offs were born from the series, including James Mitchell’s Magnum for Schneider (2 February 1967) which eventually resurfaced as the pilot for Callan, and Vince Powell and Harry Driver’s Never Mind The Quality, Feel The Width.

armchairtheatre_003Like almost all TV drama of the time, Armchair Theatre was transmitted live, which presented profound technical challenges for the ambitious director and writer.

But such ambition brought problems of its own – multiple moving cameras meant the risk of cameras or microphones appearing in shot; sets had to be large enough to allow cameras and actors to move freely – while, perhaps, convincingly evoking a confined terrace house.

The anthology provided one of the most striking demonstrations of the perils of live television drama when, in a play called Underground (1958), the actor Gareth Jones collapsed and died during transmission. The rest of the cast were told when out of camera shot that he had been taken ill and they ad-libbed to cover up for his absence.

In spite of the general high standard, Armchair Theatre was a bit too realistic for some, and various seamy scenes led to it being dubbed ‘Armpit Theatre’.

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From 1960 onwards the series was alternatively called Armchair Summer Theatre and Armchair Mystery Theatre and when ABC lost its franchise to Thames in the late 60s the series was dropped completely before being resurrected in 1974 as Armchair Cinema, which had the distinction of producing Ian Kennedy Martin’s Regan (June 1974), which went on to become the quintessential British cop series The Sweeney.

Many notable writers and playwrights contributed to the series, including; Robert Muller, Lynne Reid Banks, Donal Giltinan, Hugh Leonard, Robert Storey, Marc Brandel, John Hall, Robert Holles, and James Gibbins.

In 1978 Armchair Theatre was resurrected for the last time as Armchair Thriller, but by 1980 it was gone for good.

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