Absolute Beginners (1986)

This highly stylised musical adaptation of Colin MacInnes’ novel celebrates the rise teen culture in late 50s London with a mish-mash of pop fashions and political and racial overtones.

There are ample energetic song and dance numbers, at times reminiscent of West Side Story (1961). There are also violent confrontations, and all in all, it’s a dazzling retro-soaked colourful visual feast.

In 1958 London, Colin (Eddie O’Connell) – an aspiring young photographer – loses his 17-year-old girlfriend, Suzette (17-year-old Patsy Kensit), to the head of a fashion house.

“Crepe” Suzette is an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer, Henley of Mayfair (James Fox).

Meanwhile, Colin helps the flashy agent Harry Charms (Lionel Blair) build up lame novelty rock singer Baby Boom (Chris Pitt), a pubescent would-be teen idol.

Through Harry, Colin is wooed to work for Vendice Partners (David Bowie), a super-connected pop and business whiz that claims to have the answer for everything and everybody.

Not only does Vendice want to stifle Colin’s creativity, he’s a partner in a real estate scheme to eject the black population of Notting Hill, to gentrify the place with a new expensive housing development.

Vendice Partners hires Teddy Boy thugs to intimidate the black residents.

Colin’s best friend, Jazz musician Mr Cool (Tony Hippolyte) has no choice but to get into the race riot

The film’s nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era’s social tension, particularly a disturbing rise in racism.

The film’s historically accurate violent finish stages a clash between thugs and a new population of Commonwealth immigrants from Africa, the West Indies and India that had started to pour into Britain around 1955.

Despite these serious undertones, the film tells its story with a colourful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter.

Critical reception was mixed, with some hailing the film’s spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent.

The film also drew a lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself.

Watch out for terrific cameos from Sandie Shaw, Alan Freeman, Zoot Money, Steven Berkoff, Ray Davies (of The Kinks), Mandy Rice-Davies, Eddie Tenpole and Sade (pictured above).

Colin
Eddie O’Connell
Crepe Suzette
Patsy Kensit
Vendice Partners
David Bowie
Arthur
Ray Davies
Henley of Mayfair
James Fox
Big Jill
Eve Ferret
The Fanatic
Steven Berkoff
Dido Lament
Anita Morris
Harry Charms
Lionel Blair
Mum
Mandy Rice-Davies
Ed the Ted
Eddie Tenpole
Mr Cool
Tony Hippolyte
Baby Boom
Chris Pitt
Dean Swift
Paul Rhys
The Misery Kid
Julian Firth
Amberly Drove
Ronald Fraser
Mrs Larkin
Irene Handl
Cynthia Eve
Sylvia Syms
Vern
Peter-Hugo Daly
Mario
Robbie Coltrane
Trader Horn
Johnny Edge
Flicker
Bruce Payne
Ton-Up Vicar
Gerry Alexander
Chez Nobody Barman
Zoot Money
Athene Duncannon
Sade Adu
Baby Boom’s Mum
Sandie Shaw
Call-Me-Cobber
Alan Freeman
Johnny Wonder
Gary Beadle
Bert the Tailor
Alfred Maron
Eddie Sex
Paul Fairminer
Ms Cool, Sr
Pat Hartley
Carmen
Carmen Ejogo
Mr Cool, Sr
Astley Harvey

Director
Julien Temple

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