Fun-loving, guitar-playing, history-flunking airheads Theodore “Ted” Logan and Bill S. Preston, Esquire, first came on the scene in 1989’s Bill & Ted’s Excellent Adventure. A time-tripping romp, the movie had the appearance of a teen comedy, but its silly humour and good-natured charm won over kids of all ages.
San Dimas, California, residents Bill and Ted live a relatively happy life (ignorance is bliss, after all), but their dreams of garage band glory are threatened by the fact that they are, like, going to fail history, which is most heinous, as Ted will be sent to military school in Alaska by his dad (a hard-nosed cop).
This will split up their band, the Wyld Stallyns, which is a shame as in the future their music will precipitate meaningful communication between all life forms, and form the foundation of a peaceful, prosperous civilisation. If this seems unlikely, it’s even more so when you see what Bill and Ted are like!
But a surprise visitor just might have the miracle they need . . .
Rufus, a dude, comes from the future in a time machine (shaped like a phone box) to help them to travel back in history and complete their history project, on what historical persons would think of San Dimas in 1988.
Rufus loans them the phone booth, and they’re off to do a little hands-on research. Soon, however, they hit upon an even more ingenious solution: they decide to “borrow” a few famous faces from the past to liven up their presentation.
After several nearly disastrous stops, the phone booth is packed with everyone from Genghis Khan to Joan of Arc (who they think is Noah’s wife), to Socrates (“So Crates”) to Abraham Lincoln.
Everything points to an easy A, but modern-day San Dimas is no place for a gaggle of historical luminaries. Before you can say “Bogus!” the gang is in a heap of trouble with the law, right before the big report.
Napoleon develops a complex about losing at bowling, Joan of Arc discovers a taste for aerobics, Freud wields a sausage-on-a-stick while hitting on two poodle-permed girls, Lincoln indulges in self-portraiture, and Beethoven discovers prog rock . . .
Bill & Ted’s Excellent Adventure wasn’t exactly highbrow entertainment, but nobody seemed to care.
The sight of Napoleon terrorising a local water park and Genghis Khan skateboarding through a sporting goods store with a hockey stick for a club more than made up for any lack of educational content. Before long, wannabe Bills and Teds were spouting off “Excellent” and “Bogus” and playing air guitar wherever they went.
Made on a small budget, Bill & Ted’s Excellent Adventure was a clear hit, helping propel Keanu Reeves (Ted) and Alex Winter (Bill) to stardom.
TRIVIA The number that Rufus dials to take Bill and Ted to Austria in 1805 is 1-323-459-4303. The footage for Napoleon’s battle in Austria (presumably Austerlitz) was taken from the movie War and Peace (1956)
Ted Logan Keanu Reeves
Bill S. Preston
Alex Winter
Rufus
George Carlin
Napoleon
Tony Camilleri
Billy the Kid
Dan Shor
Socrates
Tony Steedman
Freud
Rod Loomis
Genghis Khan
Al Leong
Joan of Arc
Jane Wiedlin
Abraham Lincoln
Robert V. Barron
Beethoven
Clifford David
Captain Logan
Hal Landon Jr.
Mr. Ryan
Bernie Casey
Missy/Mom
Amy Stock-Poynton
Mr. Preston
J. Patrick McNamara
Deacon
Frazier Bain
Princess Joanna
Diane Franklin
Princess Elizabeth
Kimberley Kates
Ox
Will Robbins
Randolf
Steve Shepherd
Buffy
Anne Machette
Jody
Traci Dawn Davis
Kerry
Heather Pittman
Daphne
Ruth Pittman
John the Serf
James Bowbitch
Evil Duke
John Karlsen
Director Stephen Herek
Video
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This will split up their band, the Wyld Stallyns, which is a shame as in the future their music will precipitate meaningful communication between all life forms, and form the foundation of a peaceful, prosperous civilisation. If this seems unlikely, it’s even more so when you see what Bill and Ted are like!
Napoleon develops a complex about losing at bowling, Joan of Arc discovers a taste for aerobics, Freud wields a sausage-on-a-stick while hitting on two poodle-permed girls, Lincoln indulges in self-portraiture, and Beethoven discovers prog rock . . .
