Hannah and Her Sisters (1986)

Constructed in short chapters, with a rainbow spectrum of characters taking turns as narrators, Hannah and Her Sisters paints a picture of contemporary New York life, exposing sadness and joy and the ritual of self-discovery in every brushstroke.

The plot spreads over three Thanksgivings at the spacious Central Park West apartment of Hannah (Farrow), with her and sisters Lee (Hershey) and Holly (Wiest) as the centrepieces.

The children of Bohemian showbiz parents who spar endlessly and endure their children’s crises superficially, the girls are rivals, friends, and catalysts, and in two years of their lives, we encounter a smorgasbord of survival techniques that could not happen anywhere else but a planet unto itself like the island of Manhattan.

Hannah is an actress who would give it up in a second to have babies. She’s divorced from Mickey (Woody Allen), has had twins by artificial insemination from his ex-writing partner and is now married to Elliot (Michael Caine in his Oscar-winning Best Supporting Actor role), a successful financial adviser with keen business acumen but not much substance.

Elliot loves Hannah’s cool, controlled (and slightly flaky) domestic grip on reality, but he lusts after her beautiful, erotic, unfocused sister, Lee, who lives with a brooding, depressed, cynical painter (Von Sydow) who is always threatening to kill himself.

But the queen of neurosis is Holly – A cocaine sniffing, chain-smoking, anxiety-ridden dilettante who is into ESP, punk rock, and drugs and has failed at everything.

Since Holly can’t get an acting job, she opens the Stanislavski Catering Service with her pushy, competitive girlfriend April (Fisher). Dianne Wiest won the 1986 Best Supporting Actress for her portrayal of Holly.

Hannah holds everything together with a maternal perfection that infuriates everyone. Her self-assurance is unnerving, especially to her ex-husband Mickey, who is an ulcer-ridden hypochondriac who wafts through the streets of New York between Saturday Night Live and various hospital testing labs (he is convinced he’s dying).

Mickey also tries everything – He even converts from Judaism to Catholicism. He is actually so depressed that he would like to kill himself . . . but his parents would be so devastated that he “would have to kill them first to spare them the humiliation”.

Hannah is a valentine or love letter from Woody Allen to the whole neurotic world – A painfully accurate and richly comic masterpiece, which is probably Woody’s most complex yet most accessible film. No wonder critics treated it like the second coming.

TRIVIA
Hannah’s apartment in the film was really Mia Farrow’s own on Central Park West, NY, while some of the children in her Mother Goose nursery are her own children (natural, adopted, and surrogate).

Her mother in the film, a once-beautiful actress still charged with vitality and charm, is played by Maureen O’Sullivan – Mia’s real-life mother.

Mickey Sachs
Woody Allen
Hannah
Mia Farrow
Elliot
Michael Caine
April
Carrie Fisher
Lee
Barbara Hershey
Evan, Hannah’s father
Lloyd Nolan
Norma, Hannah’s mother
Maureen O’Sullivan
Gail
Julie Kavner
Dusty
Daniel Stern
Frederick
Max von Sydow
Holly
Dianne Wiest
Carol
Joanna Gleason
Paul
Lewis Black
Mary
Julia Louis-Dreyfus
Larry
Christian Clemenson
Ed Smythe
J.T. Walsh
Ron
Rusty Magee
Dr Abel
Ira B. Wheeler
Dr Wilkes
Richard Jenkins
Dr Grey
Fred Melamed
Dr Smith
Benno Schmidt
Manon Lescaut
Maria Chiara
Dr Brooks
Stephen defluiter
Father Flynn
Ken Costigan

Director
Woody Allen

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