The fat Turkish warden in Midnight Express doesn’t speak much English . . . but he doesn’t need to. He sweats a lot and grunts while he kicks the crap out of the prisoners.
Young American Billy Hayes (Brad Davis in his cinematic debut) is serving a four-year sentence in a Turkish prison for drug smuggling. The film documents Billy’s descent into madness and despair with the criminally insane all around him (and a decent chance of getting bummed).
John Hurt gives an impressive performance as an Englishman called Max who has spent seven years in prison and is on the point of breaking. He suggests to Billy that he hires a crooked lawyer for his trial, or better still get out via the “Midnight Express” – prison jargon for escape.
Billy tries both methods. He will do anything to get out. He informs his girlfriend, Susan (Irene Miracle) by letters that he finds the loneliness a physical pain; that smoking hashish helps to relieve the insufferable boredom; that homosexuality is rife; that brutality is ever-present and that the constant violence and squalor make him fear for his sanity.
The physical and emotional brutalisation to which Billy is exposed prompted accusations that director Alan Parker had painted a racist picture of the Turks, but the appalling state of the Turkish penal system represents only half of the film’s argument.
The underlying theme of this true and harrowing story (the real Billy Hayes survived five years in a squalid Turkish prison) tackles our deep-rooted fear of “otherness”, which is an inescapable part of the human condition.
It’s astounding how one of the pioneers of disco, Giorgio Moroder, was able to apply his synths to an Istanbul jail and come up with something so moving and apt. It won him an Oscar, and rightly so.
Billy Hayes
Brad Davis Susan
Irene Miracle Tex
Bo Hopkins Rifki
Paolo Bonacelli Hamidou
Paul Smith Jimmy Booth
Randy Quaid Erich
Norbert Weisser Max
John Hurt Mr Hayes
Mike Kellin Yesil
Franco Diogene Stanley Daniels
Michael Ensign Ahmet
Peter Jeffrey
Director Alan Parker
Related Posts
Midnight Run (1988) Although Director Martin Brest, whose big claim to fame is Beverly Hills Cop (1984), never really manages to do justice to their talents, one…
Innocent Bystanders (1972) Featuring Stanely Baker’s last big-screen role, Innocent Bystanders looks and feels like a hard-boiled low-rent James Bond. Proof that Baker…
Billy Two Hats (1973) Ted Kotcheff directed this curious western in Israel two years after making the excellent Wake In Fright (1971) in Australia. It's about…
Blood Freak (1972) Herschell (Croatian-born actor Steve Hawkes who shared writing and directing chores with Brad F Grinter) is a big, muscular, strait-laced,…
Mother Night (1996) This big-screen adaptation of the novel by Kurt Vonnegut tells the intriguing (fictional) tale of how successful German-American playwright Howard…
Three On A Meathook (1973) Billy Townsend (James Pickett) lives with his father on an old remote backwoods farm near Louisville, Kentucky, and is traumatised…
Caged Heat (1974) The original woman's prison movie. We've got fat prison guards, some lesbian action, a wicked warden, and a prison doctor…
