Jack Nicholson was better as a wolfman than De Niro was as the Frankenstein monster, but this glossy major release is more like David Cronenberg’s The Fly than other werewolf movies.
Manhattan book editor Will Randall (Nicholson) – a middle-aged washout who has devoted his life to editing the literature he cares about, only to discover that he’s the only one in the world who still cares – is bitten by a wolf after he hits it with his car on his way home one night in upstate New York.
Suddenly, Will’s senses start working overtime – he can see better, hear farther, and smell tequila on a coworker’s breath from 20 feet away. His strength also increases.
He begins to sprout hair and pointy ears and soon goes on murderous rampages every time the moon is full.
After losing his job when his publishing house is taken over by Rupert Murdoch-style billionaire publishing tycoon Raymond Alden (Christopher Plummer), Will seeks revenge and finds love with Alden’s poor little rich-girl daughter, Laura (Michelle Pfeiffer).
James Spader plays Stewart Swinton, the two-faced, bootlicking assistant who gets both Will’s job and his wife, Charlotte (Kate Nelligan).
Rick Baker (American Werewolf in London) did the special effects. Music is by Ennio Morricone.
The 125-minute Columbia release failed to make back its $70-million-plus budget at the box office.
Will Randall
Jack Nicholson
Laura Alden
Michelle Pfeiffer
Stewart Swinton
James Spader
Charlotte Randall
Kate Nelligan
Detective Bridger
Richard Jenkins
Raymond Alden
Christopher Plummer
Mary
Eileen Atkins
Roy
David Hyde Pierce
Dr Vijay Alezais
Om Puri
Doctor
Ron Rifkin
Maude
Prunella Scales
Detective Wade
Brian Markinson
George
Peter Gerety
Keyes
Bradford English
Gary
Stewart J. Zully
Tom
Thomas F. Duffy
Director
Mike Nichols









