Formed in 1992 by arch cynic Luke Haines and girlfriend Alice Readman alongside drummer Glenn Collins and cellist James Banbury, The Auteurs (named for the French movie term denoting both author and director) signed to Virgin offshoot Hut, debuting with the deceptively bright singleΒ Showgirl that December.
The single brought a wry arch-Britishness to its story of marrying a stripper that was very rare at the time but would be everywhere a year later.
It scaled the UK independent charts and expectations wereΒ high for the debut album.
Perhaps more than Blur‘s Modern Life Is RubbishΒ or Suede‘s eponymous debut, the Auteurs’ debut Β LP, New Wave (1993), laid the blueprint for what would shortly become known asΒ Britpop.
Haines’ incredibly sharp, intelligent lyrics were heavily influenced by his love of theatre and cinema, briefly making him the king of the studious slacker generation.
The Auteurs fell from grace withΒ Now I’m A CowboyΒ (1994), their undercooked follow-up, then brought in the unfashionably American Steve Albini to produceΒ After Murder ParkΒ (1996).
Haines absent-mindedly whipped upΒ How I Learned To Love The BootboysΒ (1999) – a hateful riposte to 1970s nostalgia focussing not on Chopper bikes and Spangles, but on tribal warfare, sex pests and vicious conformity (“Join the army or the National Front when you’re 16”, he wheezes onΒ School).
His subsequent erratic career has taken in brief flirtation with retro German terrorist chicΒ care of his Baader-Meinhof project, movie soundtrack work, and even mainstream success with the dark seedy Europop of his Black Box Recorder side project.
Luke Haines
Vocals, guitar
Alice Readman
Bass
James Banbury
Cello
Barney Crockford
Drums
Glenn Collins
Drums