Kiki Dee had been making records since the Sixties, but her career didn’t really get going until Elton John signed her to his Rocket label.
Amoureuse wasn’t her biggest hit, but certainly a turntable one, charting in 1973 and again three years later. Her powerful voice was equally comfortable in soul and rock grooves.
Although Dee was the first British vocalist to sign with Motown, she never reached the UK Top 10 until her duet with Elton John, Don’t Go Breaking My Heart, topped both the British and American charts in 1976.
Born Pauline Matthews in Bradford, Yorkshire, on 6 March 1946, she won a talent show at 12 while on holiday and, by 15, was singing twice a week with a local band.
After joining a bigger band in Leeds, a Philips Records representative spotted her and invited her to London for an audition.
Songwriter Mitch Murray (author of hits for Gerry & The Pacemakers like How Do You Do It? and I Like It) unexpectedly arrived at the audition, and within days he wrote a song especially for Pauline: Early Night. He decided she should have a kooky image and came up with her new name of Kiki.
“Kinky boots were in at the time,” Kiki explained later. “Mitch suggested calling me Kinky Dee,” which she flatly refused. “We shortened this to Kiki Dee, and soon after, my friends started calling me Keek”.
Early Night was released in May 1963 but made no impact at all on the charts. Neither did several other Kiki Dee discs released as follow-ups by Fontana in quick succession.
Signing up with manager Vic Billings (who also managed Dusty Springfield), Kiki began appearing regularly on TV shows and gigs in cabaret, and in 1965 she achieved her first international success by coming second in Italy’s San Remo Song Festival with Aspetta Domani (Wait For Tomorrow).
1965 also brought some movie work as Kiki played a Danish pop singer in Dateline Diamonds and sang the title song in the light comedy movie Doctor In Clover.
Late in 1968, Fontana released their only Kiki Dee album, I’m Kiki Dee. It was a compilation of A and B sides from her singles and sold respectably.
It also helped secure her breakthrough signing with Motown.
She travelled to Detroit and recorded the Great Expectations album, but the Motown relationship proved short-lived and unsuccessful. It seems most soul devotees took one look at her white skin, saw red and avoided the black wax she produced.
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Born Pauline Matthews in Bradford, Yorkshire, on 6 March 1946, she won a talent show at 12 while on holiday and, by 15, was singing twice a week with a local band.
Signing up with manager Vic Billings (who also managed Dusty Springfield), Kiki began appearing regularly on TV shows and gigs in cabaret, and in 1965 she achieved her first international success by coming second in Italy’s San Remo Song Festival with Aspetta Domani (Wait For Tomorrow).
