1 9 5 5 – 1 9 5 8 (UK)
30 minute episodes
Broadcast from Riverside Studios in Hammersmith, this BBC programme blended live studio performances with behind-the-scenes documentary-style features.
It was hosted by Jack Payne, the well-known bandleader and radio personality, who presented the show from a set designed to resemble an office. From there, he introduced musical acts and conducted interviews with performers.
Musical backing came from the Concert Orchestra, conducted by Stanley Black, alongside vocal support from the George Mitchell Singers. The show also included outside broadcast segments, with Payne cueing in reports from locations such as theatre dressing rooms – capturing artists as they prepared to go on stage – or pre-recorded inserts from places like record-pressing plants.
Spanning three series, each 30-minute episode offered a wide variety of content. Early production was overseen by Francis Essex, with Bill Cotton Jnr and James Gilbert later taking the reins.

The show featured visits to key music industry locations, including Abbey Road Studios and the EMI factory, and included clips from films, as well as documentary segments that explored topics such as the German music scene and Scottish record sales.
A regular highlight was an on-screen countdown of the current Top 10 records, giving viewers an up-to-date snapshot of chart activity.
From its inception, the programme relied on strong collaboration with the music industry. While still in development, Ronnie Waldman, then Head of TV Light Entertainment, hosted representatives from leading record labels – EMI, Decca, Philips, Oriole, and Polygon – at the Lime Grove studios. Over drinks, he pitched the idea and successfully secured their support.
Once onboard, record executives were quick to recognise the value of prime-time exposure. Labels enthusiastically submitted artists and new releases for consideration.

Initially, the show’s musical leanings remained firmly in the big-band and middle-of-the-road (MoR) tradition, with guests such as Max Bygraves, Alma Cogan, Winifred Atwell, Hoagy Carmichael, and Edmundo Ross.
However, as musical tastes shifted, the programme adapted to include emerging genres like skiffle and early rock ‘n’ roll. This later period featured performances from artists such as Tommy Steele, Lonnie Donegan, Marty Wilde, and Wee Willie Harris.
The final episode, broadcast in 1958, included a pre-recorded performance by Buddy Holly & the Crickets – captured at Riverside Studios – marking a fittingly iconic close to the series.










