Sam Dawson (Sean Penn) is a mentally challenged man with the intelligence of a seven-year-old. But he also has fathered a little girl. And when the ne’er-do-well mother runs away, it’s up to Sam to raise the child on his own.
When his daughter Lucy (Dakota Fanning) turns eight – and is going to school – government authorities and social workers want to take her away from her father.
That’s the premise of I Am Sam, a heartfelt drama that showcases a stunning performance by Sean Penn.
Sam gets along fine as a clerk at a Starbucks coffee shop and is happy as long as his routine isn’t disrupted.
There’s breakfast at IHOP on Wednesday, video nights with his disabled buddies on Thursdays and karaoke on Fridays.
His life is as well-ordered as the sugar packets and salt-and-pepper shakers he lines up on tables at Starbucks. And as long as Lucy remains a fresh-faced preschooler, all is fine.
But when she starts to mature – and goes to school – Sam’s life gets complicated.
Lucy is very bright, but reluctant to do well in school. She loves her dad too much to demonstrate an intelligence that surpasses his. She also hears derogatory remarks from friends and classmates about her father.
Teachers and social workers begin to note problems, and it looks like Sam will lose Lucy to a foster family.
But Rita Harrison (Michelle Pfeiffer) enters the picture. She’s a work-obsessed fast-track lawyer.
Although she wouldn’t normally be caught dead with a disadvantaged pro bono client, she is finally publicly embarrassed into taking Sam’s case.
Rita also has parenting problems: her obsessive work habits have distanced her from her own child. She’s just one of many people who could use parenting lessons from Sam.
I Am Sam benefits from strong performances at all levels. Pfeiffer manages to be both irritating and strangely sympathetic as the success-obsessed lawyer and eventually makes you aware of the pain in her life.
Youngster Dakota Fanning makes the precocious Lucy believable and lovable. Playing a child who’s smarter than her parent must have been a unique challenge – but Fanning more than meets it.

Diane Wiest, Mary Steenburgen, and Laura Dern contribute memorable moments in small-but-important roles, while Sam’s best buddies are well played by Doug Hutchison, Stanley DeSantis, Brad Allan Silverman, and Joseph Rosenberg. The latter two are mentally disabled in real life.
Director and co-writer Jessie Nelson energises her film with up-close camera work and an ultra-bright sun-drenched colour scheme.
The film gets a boost from a soundtrack of Beatles songs, lovingly remade by various contemporary artists, including Rufus Wainwright, Ben Folds, Sheryl Crow, Aimee Mann, Michael Penn (Sean’s brother) and the Black Crowes.
Sam, you see, loves The Beatles (it’s why his daughter is called Lucy Diamond), and when it’s suggested that he doesn’t have what it takes to be a good father, he reminds us that no one thought George Harrison was much of a songwriter. “But then he wrote Here Comes the Sun – the best song on Abbey Road.”
Take Kleenex.
Sam Dawson
Sean Penn
Rita Harrison
Michelle Pfeiffer
Lucy Dawson
Dakota Fanning
Annie
Dianne Wiest
Margaret Calgrove
Loretta Devine
Turner
Richard Schiff
Randy Carpenter
Laura Dern
Brad
Brad Silverman
Joe
Joseph Rosenberg
Robert
Stanley DeSantis
Ifty
Doug Hutchison
Lily
Rosalind Chao
Judge McNeily
Ken Jenkins
Miss Wright
Wendy Phillips
Conner Rhodes
Mason Lucero
Duncan Rhodes
Scott Paulin
George
Bobby Cooper
Ms. Davis
Kit McDonough
Gertie
Kimberly Scott
Dr Jaslow
Michael B. Silver
Rebecca
Caroline Keenan
Estelle
Eileen Ryan
Dr Blake
Mary Steenburgen
Patricia
Marin Hinkle
Willy
Chase MacKenzie Bebak
Bruce
Rafer Weigel
Grace
Pamela Dunlap
Rita’s Colleague
Karen Bankhead
Cristina
Katie McGloin
Collin
Steven Maines
Bill Carpenter
Will Wallace
Scarecrow
Scott Weintraub
Brian
Brian Bialick
Callie
Molly Gordon
Sara
Nora Kroopf
Lucy – Infant
Allison Thormahlen
Jillian Thormahlen
Lucy – 6 Months
Ryan Williams
Lucy – 18 Months
Felicity Ann Forbes
Makindra Sherry Forbes
Lucy – 2 Years
Elle Fanning
Lucy – 4 Years
Amanda Lehaf
Director
Jessie Nelson









