Kill Bill: Vol 1 (2003)

Quentin Tarantino hadn’t directed a film since Jackie Brown in 1997, but had been itching to tell this tale of a bride (Uma Thurman, a gorgeous tower of power) out for revenge against her former boss, Bill (David Carradine, heard but not seen in Vol. 1), the rat bastard who killed her groom with the help of her former pals in Bill’s Deadly Viper Assassination Squad (DiVAS), including O-Ren Ishii (Lucy Liu), Elle Driver (Daryl Hannah) and Vernita Green (Vivica A. Fox).

At her wedding in Texas, the Bride, pregnant (by Bill) and ready to go straight and marry a civilian, is rudely surprised when the DiVAS bust in, kill the groom, beat her senseless and leave her and her unborn child for the gravedigger.

Four years later, this pussycat emerges from a coma ready to kill, kill, kill.

That’s the setup for Tarantino to film each scene in a different style (cinematographer Robert Richardson and editor Sally Menke both work miracles) that may reference Kinji Fukasaku’s Battles Without Honor and Humanity, or maybe home movies from Tarantino’s crazy cousin.

The story hopscotches from Pasadena, California, where the Bride confronts Vernita at home, to Okinawa, where she finds ninja Hattori Hanzo, played by the great Sonny Chiba, who did the same role in the Japanese TV series Shadow Warriors.

Hattori gives the Bride a sword to take on O-Ren Ishii and her black-suited yakuza.

Tarantino tells O-Ren’s backstory in an anime sequence of startling vividness. But that’s just a warm-up for the Bride’s showdown with O-Ren and her thugs at the House of Blue Leaves – a nightclub that turns into a battlefield.

It’s a fight scene for the ages, expertly choreographed by Tarantino and martial-arts adviser Yuen Wo-Ping, who outdoes his Matrix magic.

Computers generated all those Agent Smiths in The Matrix Reloaded. But the yakuza aren’t digital. They bleed. And it’s not all in fun. You can feel their pain.

Harsh reality intrudes on all Tarantino films –  Reservoir Dogs, Pulp Fiction, the underrated Jackie Brown, and even this one. When the Bride, ready to pounce, visits Vernita at home, a school bus pulls up carrying Vernita’s young daughter. The Bride sees that her actions will have consequences, and we see it, too.

It’s these consequences that give the film dramatic weight and make it more than a Tarantino masturbatory fantasy or chop-socky’s greatest hits.

When the Bride (in her iconic yellow tracksuit) cuts through O-Ren’s army (the ‘Crazy 88’) to face her nemesis alone, there is a quiet elegance to the ritual — the scene is shot in the falling snow with a tenderness that belies the gore.

I feared that Liu had become a one-trick pony, her cold bitch shtick hitting a new low in Charlie’s Angels: Full Throttle. But she brings fire and feeling to O-Ren.

And wait till you see Chiaki Kuriyama as O-Ren’s mace-swinging teen bodyguard Go Go Yubari and Julie Dreyfus as Sofie Fatale, O-Ren’s multilingual assistant. Hot stuff – though no one beats Thurman for sizzle.

She’s a warrior goddess, up there with Sigourney Weaver in Aliens. It’s Thurman, in her best performance yet, who raises the bar on the role and the movie by showing that the Bride’s battle is not without honour or humanity.

Tarantino would not do the movie without his Pulp Fiction diva, and postponed the film when Thurman got pregnant. In return, she threw herself into the role, training for three months with martial-arts guru Yuen
Wo-Ping, when shooting began in Beijing.

For Tarantino, who set aside his skill at dialogue to show he can do pure action, the film is a challenge to his ego.

Ads trumpet Kill Bill as ‘ The Fourth Film by Quentin Tarantino.’ Talk about hubris. Fellini didn’t even start counting till 8½. But moxie is part of Tarantino’s DNA.

Who else would make his first film in six years a wet kiss to kung fu and pack it with his fetishes for ultraviolence, Uma Thurman’s feet and music from Nancy Sinatra to RZA?

And who else could pull it off? Kill Bill is damn near as good as Tarantino thinks it is.

The Bride
Uma Thurman
O-Ren Ishii
Lucy Liu
Vernita Green
Vivica A. Fox
Elle Driver
Daryl Hannah
Bill
David Carradine
Budd
Michael Madsen
Sofie Fatale
Julie Dreyfus
Gogo Yubari
Chiaki Kuriyama
Hattori Hanzo
Shin’ichi (Sonny) Chiba
Johnny Mo
Chia-Hui (Gordon) Liu
Earl McGraw
Michael Parks
Buck
Michael Bowen
Boss Tanaka
Jun Kunimura
Edgar McGraw
James Parks
Charlie Brown
Sakichi Sato
Crazy 88
Tetsurô Shimaguchi
Kazuki Kitamura
Yôji Tanaka
Issei Takahashi
So Yamanaka
Juri Manase
Boss Ozawah
Akaji Maro
Boss Honda
Gorô Daimon
Boss Benta
Shun Sugata
Boss Orgami
Jinzhan Zhang
Nikki Bell
Ambrosia Kelley

Director
Quentin Tarantino