If the TV show you are watching features a swag of characters in infeasibly large shoulder pads and an excess of hair gel, do not adjust your set – you are watching television as seen in the 1980s.
The ’80s was the decade in which American soaps such as Dallas and Dynasty dominated the ratings, media coverage and popular debate.
Britain took to soap in a big way in the ’80s. Even Coronation Street – the British brand leader – grandly called itself a “twice-weekly serial”.
Fans of Crossroadskept their secret quiet. Brooksidewatchers considered themselves right-on. Only Dallas addicts came out of the closet, helped by Terry Wogan’s radio jokes. So the BBC weren’t slow to sign up the Carrington clan of Dynasty in 1982.
In 1985, the Albert Square mob of EastEndersarrived with every problem in the social workers’ handbook. ITV counter-attacked with a jolly market traders show, Albion Market, and medicated soap The Practice. Both flopped.
Then, with daytime TV, came a show from down under. Neighbours, the cheapest brand of soap on the counter, took us over. It revived interest in the other Aussie afternoon shows, like The Young Doctors, Sons And Daughters and The Sullivans and it helped make a late-night cult of Prisoner: Cell Block H, featuring butch Aussie Sheilas.
In Britain, police dramas also proliferated in the 1980s. Both the BBC and ITV had female detectives: Juliet Bravo (BBC) and The Gentle Touch (LWT), respectively; there was a black detective – Wolcott; a local radio detective, Shoestring; a Chinese detective, The Chinese Detective (natch); and the long-running series set on the island of Jersey, Bergerac.
Over the pond, MTM’s Hill Street Blues brought slick humour, heartbreak and foul language, while a fashion for designer stubble, silk suits and no socks arrived in 1985 with Miami Vice‘s Don Johnson and Philip Michael Thomas. Meanwhile, Cagney And Lacey discussed their cases in the ladies’ lav.
Back in the UK, one of the most notorious female policewomen was Harriet Makepeace of ITV’s Dempsey And Makepeace. Michael Brandon played a Noo Yoik cop, Glynis Barber, his aristocratic English partner. John Thaw appeared as opera-loving, beer-drinking Oxford-based Inspector Morse, and Mark McManus made a cult of dour Scottish detective Taggart, while The Bill inherited The Sweeney‘s territory in 1984.
There was a massive growth in video recorder ownership in the 1980s, so we were now able to have more control of things (if we could work the timer), and the VCR became the new necessity.
In 1985, 94% of American households had a television set, and 50% had a video cassette recorder – double the number from only a year earlier. Ah, but which to buy? Beta? VHS? Beta? VHS? One of the most pressing decisions in the early 80s was which video system to choose for your expanding home entertainment unit.
By 1982, there were nine VHS manufacturers and three Beta. The term ‘Beta Loser’ entered the lexicon as that format went the way of 8-track cartridges.
Also revolutionary – and very pernicious to networks and advertisers – was the invention of the remote control, which first appeared in 1983. For the first time, viewers could take control, flip channels, and avoid commercials.
Meanwhile, with satellites now in orbit around the Earth, news reports became instant, and the world shrank. Television made us see more and made some of us care more.
When the Chinese students were trying to democratise their world, we saw it happening live. In fact, we knew of the events in Tiananmen Square before people elsewhere in Beijing did.
There was much more television, too. British commercial television’s second channel (Channel 4) was launched on Tuesday 2 November 1982 at 4:45 pm.
The very first programme broadcast was Countdown with Richard “twice nightly” Whiteley and Carol Vorderman (then Mather), long before she turned up on every other programme and commercial in Britain.
Breakfast TV was introduced in the UK in 1983. The IBA created a franchise for a national station to run for three hours each morning. It was awarded to TV-AM, a new TV company which featured on screen the Famous Five: David Frost, Michael Parkinson, Robert Kee, Anna Ford, and Angela Rippon.
Meanwhile, cable and satellite networks were being established, and by the close of the eighties, the box in the living room (and the ones in the bedrooms and the kitchen) became unquestionably the main source of our entertainment.
The copies Flooded in: Falcon Crest, Flamingo Road, Hotel, Knots Landing, The Colbys . . .
By 1982, there were nine VHS manufacturers and three Beta. The term ‘Beta Loser’ entered the lexicon as that format went the way of 8-track cartridges.
